All-night Improv: 24 hours of crazy for Improv Nation

I’ve told you somewhat about Improv Nation, how it is structured, how it functions on a week-to-week basis, but there is a lot about this club which really pushes the envelope of improv, improvising new ways to approach improv and grow as a team.  One of the most interesting, tiring, and challenging events that I have ever personally been a part of is the Improv Nation “Big SHooMG,” a 24-hour straight marathon of improv.

The first two rules of the marathon were 1) Do not sleep, and 2) Do not sleep.  The club goes straight through the 24 hours playing every improv game that it has in it’s extensive list of improv games of every type.

Travis Northup, current leader or Emperor of Improv Nation, once said that in 24 hours of improv it will be broken down as such: “You will see 4 hours of good improv, 4 hours of awful improv, and then 16 hours of delirious improv.”

Given the structure and length of the marathon, new games are enacted that use the marathon’s length to challenge improvisers. In one game there is a sort of extended replay where a group of four people do a scene that is two minutes long, and then every four hours after that they replay that scene exactly as they did it the first time, or at least attempt to.  In a twist on the improv game “expansion,” where a 5 second scene is played, and then that same scene is expanded to 15 seconds, 30 seconds, one minute, then two minutes, 24 hour improv takes a 2 minute scene, which several hours later becomes a 10 minute scene, 30 minutes, and finally an hour long.

The second annual “Big SHooMG” is set to happen this upcoming weekend Dec 3 at 5 p.m.- Dec 4 at 5 p .m in the Mary Park Lounge on the SF State Campus. Anyone is free to stop by and watch at any period of the 24-hour marathon to witness the exhaustion and perchance any brilliance that exudes from the improvisers.

Due to funding applications to ASI, Associated Students Inc., this year the school will be purchasing food and energy drinks for the event, which will hopefully slightly take off the edge of doing improv for an entire day.

Regarding the name of the event, every year that it happens one o will be added to the title, and that is why this year’s “Big SHooMG” has two since it is the 2nd annual event.

It is possible that the show will be live-streamed, if so I will be tweeting the link from SpencerTDevine on twitter, or on my Facebook. I will hopefully be filming at the 24-hour event and will try to get something together to even partially show what the event really is like.

Sit down or Stand up- Sylvan Stand Up Open Mic

Sylvan Improv is a large improv force to be reckoned with in the SF improv scene. Sylvan Productions produces shows of all types, improv, standup, even making sketch comedy videos and other various projects  Every Wednesday night they host a stand up open mic at the Dirty Trix Saloon in the Richmond district of SF at 9 p.m.  Stand up comedians from all over the area flock to this open mic and it bolsters a great amount of camaraderie within the comedy community. Andrew Moore does a majority of the hosting alongside Luke lockfeld and Andrew Holmgren.  This is a sights and sounds video of one of those open mics to show small pieces of what goes on in the world of stand up.

The open mic is free and goes into the early hours of the next day, leaving alot of tired comedians the following thursday.

Dont Forget the Vets

One of the most important groups to me and a big improv force is the veteran team of Improv Nation at SFSU.  Sure the team itself is relatively contained to SF State but it creates its own bubble of improv and improves steadily.


‘But what is the veteran team?’ you may ask.  Well improv nation has two groups essentially. One is the group as a whole, and this includes everyone from newbies who have just joined to Travis Northup who started the group three years ago.  The next level past then is a sub-group within improv nation as a whole: the veteran team.


There are two base requirements to be on the veteran team of Improv Nation

1. You must have been in at least one of improv nation’s shows

2. You must have been in the organization for at least a year


Anyone who fits these qualifications is then interviewed by the already existing veteran team who create a special and creepy secret interview process.  Each applicant is judged by the vet team on a rubric testing several areas of skill on a scale of 1-10. Commitment/attitude to Improv nation is important because veteran team requires a committed and dedicated group to work together with good attitudes. Area of expertise (is the applicant clear whether their improv specialty is characters, narrative, or space work) is important and is judged because a more focused individual is more valuable to a team than someone who hasn’t defined themselves. The rubric also judges attendance because frankly if you don’t show up to practices then how can the team trust you to show up consistently to a different night of practices?


The veteran team differs from the normal team in the aspects of what type of improv it does. The Improv Nation veteran team does more complicated forms of improv such as long form improv. A Long-form improv scene for the veteran team usually comes out to about one hour. It does different styles of long form such as fables, superhero stories, and dramatic improv.


Two nights a week of improv at the least for veterans, they have to be dedicated and learn to work together to gel with each others’ styles of improv acting. They have to learn to make each other look good.

Veterans do a two-hour show after every normal improv show, making the entire process four hours long, and runs a price of $2.

Every spring the veteran team chooses a spring project which focuses their veteran shows into a specific theme or style of long form.  It could be consistent characters seen in every show, or every show being a different fairy tale.

Once on the Veteran team the member stays with them until they graduate or leave the school or group. If a member does not make the veteran team they may try to reapply the next year for a spot.



Rejection never gets you anywhere in improv or life

For those of you who have ever done improv there is nothing more disheartening then throwing out an idea and having someone squash it and instead follow their own ideas. As a matter of fact, even those who don’t do improv know this feeling because it is both universal and prevalent in our everyday encounters. We all know that one person who just says “no” for the hell of it, and it’s enough to take the wind out of anyone’s sails.

Improv knows that rejections, while they may be funny sometimes, are bad moves and stop scene momentum in a heartbeat.  That is why the ‘Yes and’ rule was invented, which states that an improviser should take the suggestion of their team member and say yes, but not only say yes but instead also add something to the conversation to give it direction and momentum. Sure there are the improv acting aspects of the rule, but one thing i want to impart on you my readers is that it definitely has real life applications.

As said it is the “Yes and” rule and not just the ‘yes’ rule.  It is easier when someone agrees with you in comparison to a blatant no, but without the other person adding anything all the pressure is put on you. In some cases people prefer the position of power and take advantage of ”yes men,” but to make a true team effort all the pieces should be making equal and commendable efforts to help make each person’s job easier.

There are articles and books that speak directly to the idea of “yes” and how it can improve life. I personally find a lot of them cheesy but in the end there is some legitimacy behind the whole idea. Now I’m not an inspirational speaker but i can tell you one or two things.

No, in its essence, is a stopping word, it prevents progress, whereas yes shows an openness to new ideas and a possibility for new things.  Being closed-minded in an improv scene or real-life capacity creates stagnancy and awkwardness. When you shut out the ideas of others you leave yourself no safety net if your personal effort isn’t enough.

Improv is a team sport. As funny as you may be, improv with one person will never be the same as seeing a group work harmoniously together on the fly of their pants.  That is why improv isn’t always about being funny; it’s about receiving ideas from others, agreeing with them completely, and then throwing an extra gift to add to the ideas on the table, etc.

In business teamwork is not unheard of, and the ability to be open to new ideas and agree with the inclinations of others is a useful skill. Taking a boss’request and getting it done, but also adding extra value to the task is a sure way to stand out and be unique.

There are plenty of improv skills that translate to real life and this is one of the key ones. To summarize:

1. Saying yes to new things and ideas in improv and real life creates new opportunities or can give a scene direction

2. No, is a universally stopping word and prevents progress on stage and in life, rather than bolstering it.

3. Don’t just say yes, yes and allows you to do more than just support the ideas of others. It allows you to add to the pool of ideas, while also taking in others’ suggestions.

Sylvan Productions: San Francisco Comedy Made With Flair

When I came to this city nearly two years ago I was an actor who wrote occasionally and had hardly any experience with improv. Sure I had done improv before; my drama class had done a short section on improv but nothing serious. In high school I even started a lunchtime improv club but membership dwindled and the club fizzled into nothingness.  So sure I had done improvisation before, but mostly acting.

I’ve always had a penchant for the dramatic; it seems to find itself attracted to me (and no not the wag my finger in your face type of drama, or spreading rumors at the water cooler drama).  So when I found out that there was a group that did a free improv open mic in their backyard I was on board right away. Well maybe not right away, pitching an improv open mic that takes place in a backyard tends to garner some doubt. However, when I met all the guys who ran the open mic I was hooked.

This event was hosted by Sylvan Productions, a group of friends from high school that had moved to SF and now were dedicated to making some sort of solid comedy scene within the city, that had over some time dwindled slightly.  I’ve known the organizers of Sylvan Productions for some time and they are a group of upstanding guys with legitimate business minds. The growth from a silly backyard open mic, to the types of events they put together now, is mind-boggling at the least.  What drew me to this group the most and makes them intriguing is that the improv open mic they host (which is now based in the mission) is free and open to anyone with any level of experience.  This opportunity to do improv is the same one that got me so involved in the art of improv.

Here is an audio interview I did with Andrew Moore and Justin Gomes, two of the starters and main runners of Sylvan Productions about the start of the group and where they’re headed next.

Dan Mack: Teacher, Improviser, Awesome.

I recently did an interview with Dan Mack, an improviser i’ve worked with before. He is a man dedicated to growing the improv scene in San Francisco.  Dan has done improv for quite a while himself but he said that he wants others to be able to have the same experiences no matter their level of skill. Every Tuesday at 5 p.m. Dan Mack teaches an open improv class which is drop-in and not all that expensive.

Most improv classes in the city cost hundreds of dollars and have an air of a ‘we’re better than you’ mentality that i was pretty sure people outgrew in middle school.  Dan teaches people of all ages, skill levels, and personalities, he never knows who is going to be the one to pass through the door of the Dark Room Theater in the mission between 18th and 19th.  What he teaches changes from week to week. One day he’ll be doing three person scenes and the next week he’ll be having a brainstorming session on 100 ways to use a lawnmower (Salsa maker, ineffective kite, hair trimmer…….etc.)

Dan does this class in conjunction with the Sylvan Productions company (no don’t get confused, it’s not the Sylvan Learning Center but something completely different altogether. Although, if the Sylvan Learning Center started to do improv classes i think they would be way cooler right? Sylvan is a company that is focused on providing San Francisco with comedy shows, no matter what form they come in.  Every Tuesday Sylvan does an open improv open mic which allows any drop-in to do improv, providing an opportunity for anyone from the experienced and confident, to the first time improviser.

And here’s that audio interview. Get some popcorn and enjoy.

Goodbye world! Hello Improv!

Welcome one and all to my blog of sorts.  This is a blog about improv, but not purely improv comedy. My name is Spencer DeVine, I’m 22 years old and I was raised in the Monterey Bay of California in a city called Seaside. It may be just that I wasn’t looking hard enough but the area never really fulfilled my needs as far as outlets for comedy. Sure there is the occasional open mic that stand up comedians can attend but it’s hardly the comedy capital of the world. But even more so, finding an outlet for improv is especially tough.  I did a little bit of improv when I was in high school, even started an improv club during lunch time but that fell through because there wasn’t enough dedication or interest.

When I came to San Francisco there was a whole brand new world of entertainment that Monterey and Seaside never had. In San Francisco there is an open mic for every night of the week and really no matter what you’re interested in there’s something for you. So I of course wouldn’t be surprised when Improv found me.  I’d acted for a long time but my experience in improv was relatively little as I had never had the place to do it or group to do it with.  But then I joined Improv Nation, SF State’s Improv team and most enthusiastic group on campus (yes even more so than the Gator cheer team, sorry guys).  There I got a big dose of improv and I’ve stuck with both Improv Nation and improv acting ever since. I found a group in the city called Sylvan Productions that used to run a free open-improv workshop out of their backyard but now they have a venue in the mission at the Darkroom Theatre.  One of the only free improv open mics I’ve found in the city that allows everyone and anyone to learn and do improv for free.

But some people get a misconception that Improv has to be funny, or even be acting, and this is not true.  The way I look at improv is that it is the ability to think on the spot and come up with alternative solutions, and that is something useful both on the stage but also in life.  Have you ever needed to impress someone but you didn’t know what to say to them? Had to come up with at topic for an essay you just couldn’t comprehend? Had to come up with a damn good excuse why you don’t have your homework? Improv can help all this.

Improv as this kind of tool is pretty underrepresented as far as other blogs out there go. Improv everywhere is a really cool group all over the United States and even internationally that does funny improvisational public demonstrations, but as a website and blog they are mainly about covering their own events, because as far as their structure goes their isn’t much to teach. I think though that any tips and teaching before participating with a group like that would just make the experience even more fun, let’s be honest as much as doing untrained improv is, the better you get the more fun it will be.

One of the closest blogs I could find to what I want this blog to portray was a blog talking about teaching improv to children titled Improv Education. In this blog the author really tries to get across what the essence of improv is: what are the lessons inherent in improv that can translate beyond. She enforces with kids that some of the lessons like always listen, make each other look good, and that failing is ok as long as you can recover from it and adapt.

There are blogs that do talk about the specifics of improv. This article is talking about the rule of three that is often used in stand up comedy routines and sometimes in improv comedy. It says that when things are done three times each time they get funnier, but this article states that rather than focusing on jokes one should pay attention to the scene. This is true in improv and is a helpful hint but it doesn’t bridge the gap and go beyond the stage, as it is purely talking about on-stage mechanics. The rule of threes is not only present in comedy but also is an effective social tool and helpful in activities like social occasions and speech writing. There are not a lot of consistent blogs that look at improv as both a stage tool and a life tool.

One article I found recently that really speaks to this translation was an article about 25 rules that will make anyone better in business. This is pretty spot on as far as what I want to communicate. Not only is improv good for scene-work and acting, but also even the stuffiest businessman has something to learn from being creative and thinking outside of the box. Learning more about how you work in a creative environment can help almost anyone.

But if you’re not interested in using improv in real life, it’s still there to be what it is in its purest: a comedic tool.  Frankly said, improv is fun. That’s really what it comes down to in the end. I do improv because it’s fun, not because I want to be some big successful businessman, but I’d be lying if I said that improv didn’t prepare me for really crucial aspects in business as well as my social life.

Come in for the fun, come in to learn, come in and eat all of my pop tarts (although I’ll be forced to kick you in the butt). Make yourself at home, I have.

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